紅組   /   by .Axis.

(Source: fanityty, via kaplanwiccan)

Tags: team red

Can you believe they call us criminals when he’s assaulting us with that haircut?

(Source: iamnevertheone, via officialpizzahut)

alittlebitofdisneymagic:

forgettingfilm:

saoritsukiyaori:

hatcadet:

juodaanviinaa:

fuzzypigs:

claybabay:

NEED MONEY FOR COLLEGE

NEED COLLEGE FOR JOB

NEED JOB FOR MONEY

WAHT

WHO THE FUCK DESIGNED THIS SYSTEM

NEED EXPERIENCE FOR JOB

NEED JOB TO GET EXPERIENCE

NEED CAR FOR JOB

NEED JOB FOR CAR

GOTTA EAT TO LIVE
GOTTA STEAL TO EAT
TELL YOU ALL ABOUT IT WHEN I GOT THE TIME

ONE JUMP AHEAD OF THE SLOWPOKES

ONE SKIP AHEAD OF MY DOOM

NEXT TIME GOTTA USE A NOM DE PLUME

image

It got better

(via trippypeas)

Tags: disney

tismys:

gxxdgxxn:

A$AP Rocky & Chanel Iman for Vogue September 2014

They look so good 

(via girifuckboy)

mvgl:

The Fresh Prince of Bel-Air 2x09 - “Cased Up” (November 11, 1991)

(via girifuckboy)

itseasytoremember:

insert-awesome-title-here:

finalellipsis:

good morning, here’s your newspaper.
…and a little dance.

He’s so proud of himself.

“We just got a letter, we just got a letter, we just got a letter, i wonder who it’s from!”

itseasytoremember:

insert-awesome-title-here:

finalellipsis:

good morning, here’s your newspaper.

…and a little dance.

He’s so proud of himself.

“We just got a letter, we just got a letter, we just got a letter, i wonder who it’s from!”

(Source: togifs, via bakethatlinguist)

Tags: animals

(Source: theseinfeldshow, via 90s90s90s)

psychlowdown:

Dulé Hill takes the #IceBucketChallenge
         ”I nominate Jaleel White, Lamorne Morris, Timothy Omundson, Maggie Lawson, James Roday, Andrew Porteous, and Georgia Maher. That’s right - I’m talking to you @TexasArtChick! I’m doing this for the late Andrene Dipronio, always love to the Gabay family!”

Yay! Dulé did the challenge and nominated his Psych co-stars!

For more information on ALS and how to donate, check out ALSA.org

(Source: verbivore8642, via trippypeas)

Tags: dayum

The difference between DC and Marvel

grootsdabae:

How DC ends their movies:

image

image

How Marvel ends their movies:

image

image

(via tamismyfather)

childrenmilk:

I thought I’d make a post summarizing Taylor Swifts video “Shake It Off” for the people who don’t want to give her more hate views on VEVO. Maybe instead of giving her 4,000 angry views on youtube we can just give her my one view and reblog this hella so no one else watches it out of irritable curiosity? 

Anyways the video is basically just her dancing singing an anthem that every White person appropriating another culture says, “The haters gonna hate.” There’s no real content or plot to the video, just a lot of dance shots where she’s being really awkward. It’s actually amazing how someone could really pretend to be so innocent and naive yet still convey a very harmful message.

Above I posted some screen caps of the video and after only watching it once I got all I needed to know.  Already from the beginning of the video you see a hard clash between the dancers. There are the prima ballerina types who are all white women, elegantly leaping and stretching and dancing. Then there are the facelessblack women who are shaking their asses. Yes, faceless, literally every shot of the “twerkers” are only their asses. There’s also other groups of dancers which include some break dancers (which are all brown men,) and contemporary dancers (which is a group of white people and one girl with an afro.) Oh, yes, I forgot the cheerleading group which was all white cheerleaders and one black girl in the back. I just find it hard to believe that they couldn’t have a solid mixed group of people in each category. She pulled a Miley and Iggy and probably said something like “Well I want a more urban feel! But keep the safe ballerinas white!!” Literally the only group that had a saturation of black women was the twerking group. She even had them squat and shake their asses while she crawled through their legs! So edgy! So urban!

This is the problem I have with Taylor Swift. She’s always trying to convey herself as the innocent one who is “man worthy” (as if being man worthy is even important) while slut shaming other women for being sexual, or even just dressing in “short skirts” and “high heels.” All of the sudden now she wants to say, “To hell with the haters I can have as many problematic exes as I want! Now I’m going to be single and edgy! I’m going to shake it off! And to be single and edgy and sexual I have to dance with a bunch of ass shaking black women!  USE A BUNCH OF BLACK WOMEN AS PROPS

Long story story, Taylor Swift is not only a slut shaming misogynist, she’s ignorant and has obviously racist/stereotypical views of brown and black people. 

(via shitrichcollegekidssay)

Coach Tachibana (◡‿◡✿)

(via everythingmakototachibana)

fatbodypolitics:

theroguefeminist:

elliedoh:

So when Miley Cyrus or Katy Perry bring black girls on stage, dance with them, acknowledge their figures- it’s offensive and appropriating. But, when Nicki Minaj makes an entire video focusing around black girl’s asses and asserts her power, reduces these women to objects and flaunts her authority it’s YAAASSSSS NICKI SERVE IT. Is that because she’s black? So it’s okay for people of the same race to dance with each other but someone who does not share the same levels of melanin enters the picture, they’re doing something wrong? …idgi 

You’re completely ignoring context. In Lily Allen’s Hard out Here video, she literally says, “I don’t shake my ass cause I have a brain” as Black women shake their asses in her video. She is literally degrading the Black women who shake their asses in the media. The song also uses references to Black rappers (i.e. the title of the song referencing the rap song “Hard out Here for a Pimp” and her lyric “bragging ‘bout my cars or talking ‘bout my chains”), suggesting that Black rappers are more sexist than white male musicians (which isn’t true, there’s lots of sexism in all music genres) and also suggest the source of sexism in the music industry is Black people (Black male rappers and twerking Black female dancers).
In contrast, Nicki Minaj is reclaiming a song (Baby Got Back) that was made by a Black male rapper who celebrated (but also objectified) Black female bodies. Throughout her song, Nicki raps like a man would, talking about her sexual conquests with men and the size of their dicks, almost as a way of doing to men what they have done to women (objectifying their dicks as Sir Mix A Lot objectified Black women’s asses and many other men objectify women’s vaginas). She also brags about her sexual prowess and stays in control and aggressive in the video (she goes as far as cutting a banana representing a dick and slapping Drake’s hand away—the video critiques the male gaze). The target of mockery and disparagement in Nicki’s video is men and the male gaze, and the video works to reclaim agency from it.
In what way is Nicki asserting power over her dancers? In her video, she twerks along side her back up dancers and dances with them and interacts with them on the same level. She is just as scantily clad as they are. Lily Allen, however, stays fully covered in her video, does not dance provocatively, and thus contrasts her own pure and respectable femininity with the Black women, using their twerking and scantily clad bodies as an example of “bad” female sexuality and femininity—of women “objectifying themselves.” This is racist because it frames Black female sexuality as lesser than white femininity and antithetical to feminism.
In summary: Nicki’s video is very much a celebration of female Black beauty and sexuality coming from a Black woman. Conversely, Lilly Allen’s is using Black women as props to frame them as a vile or bad form of sexuality or being too sexual to prop up her own feminism.
So you might say, “what about Miley Cyrus? she twerks along side her Black background dancers too!” But here’s the problem: Miley Cyrus continually appropriates Black culture and also uses Black women as props. It does matter that these artists are white because in these cases the point of including the Black women is either to, in Lily Allen’s case, offset Black sexuality/femininity as too sexual or bad in comparison with her white femininity/feminism, or, in the case of Miley Cyrus, to get “street cred” and exotify her own sexuality by appropriating Black culture and using Black people as props to do so. See this analysis of Lily Allen’s Hard Out Here video and this analysis of Miley Cyrus by Black people who know a lot more about this than I do.
I haven’t seen anything about Katy Perry using Black dancers. I’ve just seen criticisms of her appropriating AAVE and other PoC cultures. So I’m not sure why you brought her up, but maybe I just haven’t seen the videos in question.
Either way, it’s not like white artists having a diverse cast of back up dancers is a bad thing automatically. Here is an example of a white artist using back up dancers of other races without objectifying them: https://www.youtube.com/watch?v=8Ilh1ewceco (notice this artist tackles the same issue as Lily Allen—sexism/objectification in the media—without being misogynist and racist toward other women). But the examples of Lily Allen and Miley Cyrus ARE racist and Nicki Minaj’s video isn’t the same as theirs.

This.

fatbodypolitics:

theroguefeminist:

elliedoh:

So when Miley Cyrus or Katy Perry bring black girls on stage, dance with them, acknowledge their figures- it’s offensive and appropriating. But, when Nicki Minaj makes an entire video focusing around black girl’s asses and asserts her power, reduces these women to objects and flaunts her authority it’s YAAASSSSS NICKI SERVE IT. Is that because she’s black? So it’s okay for people of the same race to dance with each other but someone who does not share the same levels of melanin enters the picture, they’re doing something wrong? …idgi 

You’re completely ignoring context. In Lily Allen’s Hard out Here video, she literally says, “I don’t shake my ass cause I have a brain” as Black women shake their asses in her video. She is literally degrading the Black women who shake their asses in the media. The song also uses references to Black rappers (i.e. the title of the song referencing the rap song “Hard out Here for a Pimp” and her lyric “bragging ‘bout my cars or talking ‘bout my chains”), suggesting that Black rappers are more sexist than white male musicians (which isn’t true, there’s lots of sexism in all music genres) and also suggest the source of sexism in the music industry is Black people (Black male rappers and twerking Black female dancers).

In contrast, Nicki Minaj is reclaiming a song (Baby Got Back) that was made by a Black male rapper who celebrated (but also objectified) Black female bodies. Throughout her song, Nicki raps like a man would, talking about her sexual conquests with men and the size of their dicks, almost as a way of doing to men what they have done to women (objectifying their dicks as Sir Mix A Lot objectified Black women’s asses and many other men objectify women’s vaginas). She also brags about her sexual prowess and stays in control and aggressive in the video (she goes as far as cutting a banana representing a dick and slapping Drake’s hand away—the video critiques the male gaze). The target of mockery and disparagement in Nicki’s video is men and the male gaze, and the video works to reclaim agency from it.

In what way is Nicki asserting power over her dancers? In her video, she twerks along side her back up dancers and dances with them and interacts with them on the same level. She is just as scantily clad as they are. Lily Allen, however, stays fully covered in her video, does not dance provocatively, and thus contrasts her own pure and respectable femininity with the Black women, using their twerking and scantily clad bodies as an example of “bad” female sexuality and femininity—of women “objectifying themselves.” This is racist because it frames Black female sexuality as lesser than white femininity and antithetical to feminism.

In summary: Nicki’s video is very much a celebration of female Black beauty and sexuality coming from a Black woman. Conversely, Lilly Allen’s is using Black women as props to frame them as a vile or bad form of sexuality or being too sexual to prop up her own feminism.

So you might say, “what about Miley Cyrus? she twerks along side her Black background dancers too!” But here’s the problem: Miley Cyrus continually appropriates Black culture and also uses Black women as props. It does matter that these artists are white because in these cases the point of including the Black women is either to, in Lily Allen’s case, offset Black sexuality/femininity as too sexual or bad in comparison with her white femininity/feminism, or, in the case of Miley Cyrus, to get “street cred” and exotify her own sexuality by appropriating Black culture and using Black people as props to do so. See this analysis of Lily Allen’s Hard Out Here video and this analysis of Miley Cyrus by Black people who know a lot more about this than I do.

I haven’t seen anything about Katy Perry using Black dancers. I’ve just seen criticisms of her appropriating AAVE and other PoC cultures. So I’m not sure why you brought her up, but maybe I just haven’t seen the videos in question.

Either way, it’s not like white artists having a diverse cast of back up dancers is a bad thing automatically. Here is an example of a white artist using back up dancers of other races without objectifying them: https://www.youtube.com/watch?v=8Ilh1ewceco (notice this artist tackles the same issue as Lily Allen—sexism/objectification in the media—without being misogynist and racist toward other women). But the examples of Lily Allen and Miley Cyrus ARE racist and Nicki Minaj’s video isn’t the same as theirs.

This.

(via officialpizzahut)

Tags: wall of text

(Source: this-bi-guy, via trippypeas)

Tags: for janelle